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New work · Detroit · 2026

Mara
Ellis

Paintings of memory, matter, and the light that stays.

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Held Light, an abstract figurative painting by the fictional artist Mara Ellis
Held LightOil and cold wax on linen · 2026

Current collection

“I paint what remains
after the moment leaves.”

Color arrives first. Then memory, shape, and the evidence of a hand moving slowly across the surface.

Selected works

Three ways
of remembering.

Original showroom artwork created for this public portfolio concept. Availability details are illustrative.

Abstract figurative painting of a woman in indigo, sienna, coral, and warm gold
01

Held Light

Oil and cold wax on linen · 48 × 60 in · 2026

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Atmospheric abstract landscape with an illuminated horizon
02

Where Morning Opens

Oil and cold wax on linen · 60 × 40 in · 2026

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Abstract botanical collage with layered leaves and organic forms
03

What the Garden Kept

Mixed media on linen · 42 × 42 in · 2026

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COLLECTOR VIEWING ROOM · FICTIONAL SHOWROOM

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Abstract figurative painting of a woman in indigo, sienna, coral, and warm goldME-2026-01 · UNIQUE WORK

The Light That Stays · 2026

Held Light

“The figure arrived after the gold. I kept removing her face until memory could enter without asking permission.”
Medium
Oil and cold wax on linen
Dimensions
48 × 60 in · 50 × 62 in framed
Showroom price
$8,600
Availability
Available · illustrative only
Framing
Float-mounted in hand-finished walnut; archival back and hanging cleat included.
Delivery
Custom travel frame, condition report, and insured specialist delivery quoted to destination.
Rights
Physical acquisition does not include reproduction rights. Editorial and exhibition licensing reviewed separately.
Object weight
31 lb framed
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PROVENANCE & CERTIFICATE STUDY

One object. One unbroken story.

  1. 01Completed in the Detroit studio · 2026
  2. 02Studio inventory ME-2026-01 · artist custody
  3. 03Fictional showroom record · no ownership transfer

Artist statement

Making room
for what
cannot be said.

My work begins with fragments: a remembered coat, a horizon seen from a moving car, leaves pressed between pages and forgotten. I build each surface slowly, adding and removing until the image feels less illustrated than uncovered.

The paintings hold figure, landscape, and abstraction in the same breath. Their marks are evidence of revision—the beauty of arriving by changing one’s mind.

Inside the process ↓
Detail from What the Garden Kept

Studio practice

Layer.
Listen.
Return.

  1. 01

    Build the ground

    Thin pigment, paper fibers, charcoal, and the first uncertain shape.

  2. 02

    Find the tension

    Cover what feels finished. Keep what continues to ask a question.

  3. 03

    Leave the evidence

    Scrapes, seams, and revisions remain visible as part of the final work.

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This public showroom demonstrates where genuine approved collector, curator, or client feedback would appear.

01

Reserved for an approved collector testimonial.

Collector name · Location

Testimonial placement
02

Reserved for an approved collector testimonial.

Collector name · Location

Testimonial placement
03

Reserved for an approved collector testimonial.

Collector name · Location

Testimonial placement

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The complete studio

The beauty is public.
The authority is protected.

Explore the writing and exhibition archive, then enter the protected Studio Office to see the accountable system behind artwork, provenance, collectors, commissions, fulfillment, publishing, finance, and handoff.

Fictional showroom records · no sale, reservation, license, payment, shipment, or publication occurs here.
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